![]() ![]() The amp’s passive tone controls need to be set all the way up to “10” to allow the full frequency range to sing, and the volume needs to be at or around “10” as well First, the amp’s passive tone controls need to be set all the way up to “10” to allow the full frequency range to sing, and the volume needs to be at or around “10” as well to provide natural compression and sustain. The key to replicating these distinctive tones involves two key details. Pick: Unknown, probably Fender 351-shape (teardrop) heavy Strings/tuning: Fender Rock ’N Roll 150 light gauge (.010. Guitar: 1964 Gibson SG Standard (bridge pickup for versesĪnd choruses, neck pickup for solo), Bridge volume: 10,īridge Tone: 1, Neck Volume: 10, Neck Tone: 1Īmp: 1966 Marshall Super 100 (JTM 45/100) with KT66 tubes (Input 2 upper right corner, Presence: 10, Bass: 10, Middle: 10, Treble: 10, High Treble Volume: NA, Normal Volume: 10) into Marshall 1960B straight front “tall bottom” 4x12 cabinet with Celestion G12M T1221 “greenback” 20-watt, 75Hz speakers ![]()
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